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Make a noise background

A base colour and a deterministic grain layer whose size, blend, opacity and seed remain visible.

monochrome noise at 9 per cent, over a white ground. 1920 × 1080 pixels.

Output size

File format
Set the size in millimetres or inches
Unit

A physical size is a claim about paper, so it needs the resolution beside it. At 300 DPI this canvas prints 162.6 by 91.4 millimetres.

2.1 megapixels

Noise has no CSS form, so the copy control is off while that layer is in the stack. The file carries it.

The stack opens with a single monochrome noise layer over warm paper. It is a live layer, not a baked texture.

Noise buys texture by spending compressibility

A flat colour is almost free to describe because every pixel repeats. Grain makes those pixels differ on purpose. It can hide gradient banding, stop a large field feeling sterile and make type sit on something that resembles a surface, but every one of those differences has to be stored in the exported file.

The decisions in the opening layer
ControlOpeningWhat it changes
KindMonochromeLightness without coloured speckle
Grain1 pxThe spatial size of each sample
Opacity9%How much the layer moves the base
BlendSoft lightHow light and dark noise mix
Seed314159Which repeatable field is drawn

When a texture is doing too much

  1. If body text becomes harder to read, lower opacity before making the grain smaller; fine high-contrast noise competes with letter edges.
  2. If a background must be tiny, keep a flat or simple gradient version. Noise can multiply file size even when the visual change is slight.
  3. A seeded procedural surface is not scanned paper. It has no fibres, direction or physical scale unless those are constructed separately.

Questions about the surface

Why does noise make the file larger?
Compression works by describing repeated or predictable regions. Noise deliberately makes neighbouring pixels differ, so PNG, JPEG and WebP need more data to describe the same dimensions.
What does the seed change?
It chooses the repeatable sequence of pseudo-random values. The same seed, size and grain settings reproduce the same surface instead of changing whenever the page redraws.
Should noise be coloured?
Usually not for a paper-like surface. Monochrome noise changes lightness without making red, green and blue speckles. Colour noise is useful when the chromatic texture itself is intended.

Other background constructions